Table Of Content
- House of Gucci review – Lady Gaga steers a steely path through the madness
- Must Read Stories
- O.J. Simpson’s Lawyer Reverses Opinion on Payments to Goldman Family (Exclusive)
- Ethan Hawke Shares Denzel Washington’s Advice on Winning an Oscar
- Casting
- Reviewed at Tribeca Screening Room, Nov. 5, 2021. MPAA Rating: R. Running time: 157 MIN.
When we were testing the makeup, I didn’t want anyone to see me — we didn’t want more voices in the room. But someone from wardrobe walked in on us, a beautiful and lovely Italian man. He was so moved that Paolo Gucci was standing in front of him. That was a really intense moment; I was shocked and didn’t know what to do. But he was the first witness to Göran’s work. This doesn’t happen too often, but there was a magical synergy that’s an example of Göran’s craft and artistry, and it proves how pivotal hair and makeup can be.
House of Gucci review – Lady Gaga steers a steely path through the madness
The very first draft had a ten-page opening sequence. It was the history of the brand and the Gucci family. One of my favorite openings ever is the first five minutes of Bram Stoker’s Dracula by Francis Ford Coppola. The other thing that got cut was a voiceover throughout the movie that I wrote for Patrizia.
Must Read Stories
For me, most actors want to be noticed — and most producers don’t really want to pay for actors that you can’t recognize. For MGM/United Artists’ House of Gucci, Jared Leto plays Paolo Gucci, the middle-aged, overweight and balding cousin of Adam Driver’s Maurizio Gucci. Equipped with heavy prosthetics, a fat suit and a receding hairline, Leto is nearly unrecognizable in the film — an evolution that went beyond the physical, as Leto also adopted a new accent and mannerisms for the part.
O.J. Simpson’s Lawyer Reverses Opinion on Payments to Goldman Family (Exclusive)
If I had to pick three, I would definitely say Sunset Boulevard was a huge one. I actually remember pitching it to Giannina and Ridley as Sunset Boulevard, but told from Norma Desmond’s point of view, as opposed to the William Holden character. When you’re writing something like this, this massive thing in terms of all these storylines and characters, you have to grab onto a couple through lines, things you can hold onto for dear life as you’re writing. As Patrizia and Maurizio, with their nearly rhyming names, settle into their modest life and give birth to a daughter, the film introduces the other members of the Gucci clan. There is Aldo, Rodolfo’s brother and the co-owner of the company; he’s played by Al Pacino with a twinkly rasp and a shrug of real-world materialism that makes him instantly likable.
Ethan Hawke Shares Denzel Washington’s Advice on Winning an Oscar
Only Pacino comes close to matching Leto’s parodic screen presence; later scenes pairing the two in states of tragic disarray look like outtakes from an Italian remake of Little Britain. But after combing through an immense amount of research, Leto had three weeks to turn himself into a man, he literally looked nothing like. The actor on his own enlisted prosthetic designer Göran Lundström and wigmaker AnnaCarin Lock to come up with Paolo’s look. Scott, nor any of the cast, reportedly had any idea of what Leto’s look would be.
Casting
The film received mixed reviews from critics who praised the cast's performances but criticized the inconsistent tone and editing. Gaga and Leto were nominated for the Screen Actors Guild Award, Critics' Choice Award, and Satellite Award for Best Actress and Best Supporting Actor, respectively, while the former also received nominations for the Golden Globe Award and BAFTA Award. The film earned a nomination at the 94th Academy Awards for Best Makeup and Hairstyling.
Jared Leto's 10 Best Movies, Ranked - Screen Rant
Jared Leto's 10 Best Movies, Ranked.
Posted: Tue, 02 Jan 2024 08:00:00 GMT [source]
The act of becoming a new character is difficult for him to articulate, but he considers it his duty to devote his entire being to the process. "It's just what I'm interested in," he says, citing actors who "aren't afraid to bleed," like Peter Sellers and Daniel Day-Lewis. "When you make that kind of commitment, there's something that happens. You're compelled to dig even deeper, to work even harder, to discover something more rewarding and richer." When Patrizia Reggiani, an outsider from humble beginnings, marries into the Gucci family, her unbridled ambition begins to unravel their legacy and triggers a reckless spiral of betrayal, d...
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But she was so good and she really took the cues that were in the story and in the script, and just ran with it. The most important thing about Jared Leto’s performance as Paolo Gucci is that it showcases just how bonkers this story is through and through. It wasn’t immediately evident to me watching House of Gucci at first, but once Paolo is carrying on, it starts to come together. The way this family tore itself apart so easily is astounding, and, given all the things that happen, it’s hard to argue that Paolo is even the whackiest part of the true story.
The Oscar-winning actor and Oscar-nominated makeup designer Göran Lundström reveal the collaborative process of turning the actor into his unrecognizable on-screen persona, Paolo Gucci. On the first day of shooting, I showed up in character, as I do. I'm deep in Paolo Gucci, and I see my father, Aldo, Al Pacino, and I went up and said, “Papa! ” He looked at me and had no idea who I was, and basically said "Fuck off" and walked in the other direction. I said, "Maybe he's playing the cold, distant father. Maybe he's a little grumpy. I don't know." I went back up to him again, and he brushed me off again. Then someone leaned into him and said, "Al, it's Jared." And he turned around, he hit the floor, and raised his hands.
Leto’s Paolo is the family black sheep — a dreamer with a vision that deviates from the fashion house’s tasteful colors and designs. Hours of makeup each day went into Leto’s look for the Ridley Scott movie, which hits theaters Nov. 24. The concept began with prosthetics designer Göran Lundström, who worked off a 3D scan without having met the actor. “I didn’t know his hair color, his hairline and skin tone,” explains Lundström, who had just three weeks to prepare. Speaking of femme fatales, what other movies did you draw from while writing the script?
So, he would show up on set as Paolo Gucci,” says Lundström. One Oscar win later, it's fair to say that whatever Leto did worked. But sometimes his tactics are more oblique. "The only gifts I ever gave Margot were cupcakes, I think I gave her a mouse, and some of the other guys got gifts that you'd get as a joke at a party," he says. The run-up to Gucci is a stark contrast to the time he prepared to murder a Beatle.
LUNDSTRöM The first thing you have to do is try to figure out what you’re actually supposed to be building. The biggest problem here was the fact that it is a drama, not a fantasy movie. And not just any movie, but one with Al Pacino and Lady Gaga. I just couldn’t think about that, because the challenge is [already] so demanding.
The biggest thing with her was whether her powers are real or not. For example, Ridley doesn’t believe in that. But I liked the idea that maybe she is a fraud, except for that one time when Maurizio’s shagging the femme fatale, [Paola] Franchi, and Pina gets a real message, a real psychic connection. Is it any wonder the real-life Gucci family is fretting about their depiction in the film?
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